Chapter 18: In the Company of
Chapter Summary
In the Company of - Chapter Summary
## Overview
This chapter introduces students to the fascinating world of **Company Theatres**—professional troupes that lived, traveled, and performed together. It covers their rich history in India, the rise of legendary theatre companies such as **Parsi Natak Mandali**, **Surabhi Theatre**, and **Gubbi Company**, their unique styles and contributions, and reasons behind their decline in modern times.
## Key Topics Covered
### 1. What is Company Theatre?
- A **Company Theatre** is a large group of professional artists who perform theatre for a living.
- Members lived, worked, and traveled together performing shows.
- These troupes included:
- Actors, dancers, singers, writers
- Make-up artists, costume designers, light and set technicians
- Cooks, accountants, and even children—often entire families.
- Started as early as the 1700s in places like **Kolkata**.
---
### 2. Early Company Theatres: Parsi Natak Mandali
- **Parsi theatre companies** emerged in Bombay (Mumbai) in the **1850s–1930s**.
- First group: **Parsi Natak Mandali**.
- First play: *Roostum Zabooli and Sohrab* (1853).
- Followed by: *King Afrasiab*, *Rustom Pehlvan*, *Padsah Faredun*.
- By 1860, over 20 Parsi theatre companies had formed in Mumbai.
- Introduced **proscenium-style productions** which influenced Indian theatre widely.
- Spread to other parts of **Maharashtra**, **Karnataka**, and **Andhra Pradesh**.
---
### 3. Surabhi Theatre: Magic on Stage
- Founded: **1885**, Andhra Pradesh.
- Original name: **Sri Venkateshwara Natya Mandali**.
- First play: *Keechaka Vadha*.
- Known for:
- Hindu mythology-based stories.
- Use of **live VFX**, stage magic, and spectacular visuals.
- Still active after **138 years**.
- Popular plays include:
- *Sri Krishna Leelalu* – Young Krishna’s adventures.
- *Jai Pathala Bhiravi* – Folk tale of Thota Ramaudu.
- *Bhakta Prahlada* – Story of the devoted child Prahlada.
- *Maya Bazar*, *Sri Venkateshwara Udhbhavam*, *Balanagamma*.
### 4. Theatre in Karnataka: Rich Legacy
#### A. Karnataka Nataka Mandali
- Started in **1874** at **Gadag, Karnataka**.
- Founder: **Sakkere Balacharya (Shantha Kavi)**.
- Famous plays:
- *Kichaka*
- *Banasura*
- *Vatstrapaharana*
#### B. Halasangi Nataka Mandali
- Origin: **Halasangi, Bijapur district**, Karnataka.
- Notable playwright: **Venkannacharya Agalagatti**.
- Popular plays:
- *Srimati Parinaya*
- *Madalasa Parinaya*
- *Droupadi Vatstrapaharana*
- *Bhoumasura Vadhe*
- **Maharajas of Mysore** were patrons and strong supporters.
#### C. Gubbi Company (Shree Channabasaweshwara Nataka Mandali)
- Most famous company in Karnataka.
- Popular plays:
- *Sadharame*
- *Subhadra*
- *Hemareddy Mallamma*
- Shows were **always houseful**, with people queuing for days for tickets.
**Unique Features of Gubbi Company**:
- First company to **allow women on stage**.
- **Dr Rajkumar**, legendary Kannada actor, began his career here.
- Renowned theatre director **B.V. Karanth** also started here.
---
### 5. The Decline of Company Theatres
After India's independence, the company theatre tradition began to fade. Reasons include:
- **Financial mismanagement** in many companies.
- **Competition from the cinema industry** with better technology and wide reach.
- **Loss of family-friendly content** in some shows.
- Rise of **amateur (Havyasi) theatre**, which was more convenient and flexible.
---
### 6. The Present: Professional Theatre in India
Though company theatres have declined, **professional theatre** is still thriving in India with:
- **Repertory groups** and **theatre collectives** producing high-quality performances.
- Use of **modern science and technology** to enhance lighting, sound, and stage design.
- Theatre remains a **vibrant and evolving art form** in many cities.
---
## New Terms and Their Meanings
| Term | Simple Definition |
|--------------------------|------------------------------------------------------------------------------------|
| Company Theatre | A group of theatre artists who live and perform together professionally |
| Troupe | A group of performers who travel and perform together |
| Proscenium | A stage with a framed opening; audience faces one side only |
| VFX | Visual effects created for dramatic impact on stage |
| Patronage | Support (usually financial) given by kings or rich people to promote the arts |
| Repertoire | A collection or set of plays performed by a theatre group |
| Amateur Theatre (Havyasi)| Theatre performed by non-professionals for passion, not profit |
| Decline | A slow loss in popularity or strength |
| Mythology | Traditional stories about gods, heroes, and supernatural beings |
| Houseful | All seats sold out; no more tickets available |
---
## Practice Questions
### Easy (3)
1. **What is a Company Theatre?**
→ A group of artists who live and perform together professionally.
2. **Name the first Parsi theatre play.**
→ *Roostum Zabooli and Sohrab*
3. **Who was the founder of Karnataka Nataka Mandali?**
→ Sakkere Balacharya (Shantha Kavi)
---
### Medium (2)
4. **Why was Gubbi Company considered unique?**
→ It was the first to allow women on stage and launched careers of famous actors like Dr Rajkumar.
5. **List any two plays performed by Surabhi Theatre.**
→ *Sri Krishna Leelalu*, *Bhakta Prahlada*
---
### Difficult (3)
6. **Explain three reasons for the decline of company theatres.**
→ Poor financial management, rise of cinema, and loss of quality content.
7. **What support did Halasangi Nataka Mandali receive?**
→ Patronage from the Maharajas of Mysore.
8. **How did the Parsi theatre style influence Indian theatre?**
→ It introduced proscenium-style productions, inspiring theatre in other regions.
---
### Very Difficult (2)
9. **Compare and contrast professional repertory theatre today with traditional company theatre.**
→ Company theatres were family-based and self-sufficient, while repertory theatre is professionally managed with modern tech and flexible formats.
10. **What role did mythology play in the survival of Surabhi Theatre?**
→ Surabhi performed stories from Hindu mythology which remained popular with audiences, helping it survive for 138 years.
---
In the Company of Theatre
Overview
This chapter introduces students to the fascinating world of Company Theatres—professional troupes that lived, traveled, and performed together. It covers their rich history in India, the rise of legendary theatre companies such as Parsi Natak Mandali, Surabhi Theatre, and Gubbi Company, their unique styles and contributions, and reasons behind their decline in modern times.
Key Topics Covered
1. What is Company Theatre?
- A Company Theatre is a large group of professional artists who perform theatre for a living.
- Members lived, worked, and traveled together performing shows.
- These troupes included:
- Actors, dancers, singers, writers
- Make-up artists, costume designers, light and set technicians
- Cooks, accountants, and even children—often entire families.
- Started as early as the 1700s in places like Kolkata.
2. Early Company Theatres: Parsi Natak Mandali
- Parsi theatre companies emerged in Bombay (Mumbai) in the 1850s–1930s.
- First group: Parsi Natak Mandali.
- First play: Roostum Zabooli and Sohrab (1853).
- Followed by: King Afrasiab, Rustom Pehlvan, Padsah Faredun.
- By 1860, over 20 Parsi theatre companies had formed in Mumbai.
- Introduced proscenium-style productions which influenced Indian theatre widely.
- Spread to other parts of Maharashtra, Karnataka, and Andhra Pradesh.
3. Surabhi Theatre: Magic on Stage
- Founded: 1885, Andhra Pradesh.
- Original name: Sri Venkateshwara Natya Mandali.
- First play: Keechaka Vadha.
- Known for:
- Hindu mythology-based stories.
- Use of live VFX, stage magic, and spectacular visuals.
- Still active after 138 years.
- Popular plays include:
- Sri Krishna Leelalu – Young Krishna’s adventures.
- Jai Pathala Bhiravi – Folk tale of Thota Ramaudu.
- Bhakta Prahlada – Story of the devoted child Prahlada.
- Maya Bazar, Sri Venkateshwara Udhbhavam, Balanagamma.
4. Theatre in Karnataka: Rich Legacy
A. Karnataka Nataka Mandali
- Started in 1874 at Gadag, Karnataka.
- Founder: Sakkere Balacharya (Shantha Kavi).
- Famous plays:
- Kichaka
- Banasura
- Vatstrapaharana
B. Halasangi Nataka Mandali
- Origin: Halasangi, Bijapur district, Karnataka.
- Notable playwright: Venkannacharya Agalagatti.
- Popular plays:
- Srimati Parinaya
- Madalasa Parinaya
- Droupadi Vatstrapaharana
- Bhoumasura Vadhe
- Maharajas of Mysore were patrons and strong supporters.
C. Gubbi Company (Shree Channabasaweshwara Nataka Mandali)
- Most famous company in Karnataka.
- Popular plays:
- Sadharame
- Subhadra
- Hemareddy Mallamma
- Shows were always houseful, with people queuing for days for tickets.
Unique Features of Gubbi Company:
- First company to allow women on stage.
- Dr Rajkumar, legendary Kannada actor, began his career here.
- Renowned theatre director B.V. Karanth also started here.
5. The Decline of Company Theatres
After India's independence, the company theatre tradition began to fade. Reasons include:
- Financial mismanagement in many companies.
- Competition from the cinema industry with better technology and wide reach.
- Loss of family-friendly content in some shows.
- Rise of amateur (Havyasi) theatre, which was more convenient and flexible.
6. The Present: Professional Theatre in India
Though company theatres have declined, professional theatre is still thriving in India with:
- Repertory groups and theatre collectives producing high-quality performances.
- Use of modern science and technology to enhance lighting, sound, and stage design.
- Theatre remains a vibrant and evolving art form in many cities.
New Terms and Their Meanings
Term | Simple Definition |
---|---|
Company Theatre | A group of theatre artists who live and perform together professionally |
Troupe | A group of performers who travel and perform together |
Proscenium | A stage with a framed opening; audience faces one side only |
VFX | Visual effects created for dramatic impact on stage |
Patronage | Support (usually financial) given by kings or rich people to promote the arts |
Repertoire | A collection or set of plays performed by a theatre group |
Amateur Theatre (Havyasi) | Theatre performed by non-professionals for passion, not profit |
Decline | A slow loss in popularity or strength |
Mythology | Traditional stories about gods, heroes, and supernatural beings |
Houseful | All seats sold out; no more tickets available |
Practice Questions
Easy (3)
-
What is a Company Theatre?
→ A group of artists who live and perform together professionally. -
Name the first Parsi theatre play.
→ Roostum Zabooli and Sohrab -
Who was the founder of Karnataka Nataka Mandali?
→ Sakkere Balacharya (Shantha Kavi)
Medium (2)
-
Why was Gubbi Company considered unique?
→ It was the first to allow women on stage and launched careers of famous actors like Dr Rajkumar. -
List any two plays performed by Surabhi Theatre.
→ Sri Krishna Leelalu, Bhakta Prahlada
Difficult (3)
-
Explain three reasons for the decline of company theatres.
→ Poor financial management, rise of cinema, and loss of quality content. -
What support did Halasangi Nataka Mandali receive?
→ Patronage from the Maharajas of Mysore. -
How did the Parsi theatre style influence Indian theatre?
→ It introduced proscenium-style productions, inspiring theatre in other regions.
Very Difficult (2)
-
Compare and contrast professional repertory theatre today with traditional company theatre.
→ Company theatres were family-based and self-sufficient, while repertory theatre is professionally managed with modern tech and flexible formats. -
What role did mythology play in the survival of Surabhi Theatre?
→ Surabhi performed stories from Hindu mythology which remained popular with audiences, helping it survive for 138 years.